On 16 May 2023, Jan Aart Scholte presented research on the Regional Internet Registries to the annual conference of GIG-ARTS in Padua.

On 1 January Minna Valjakka was appointed Professor of Contemporary Art History and Theory from a Global Perspective. Valjakka sees her appointment as 'extremely topical' because of the discussions about the decolonisation of the arts: 'Art teaches us not just about art, but also about contemporary…

An artwork by Guy Livingston has been chosen to launch into space and be exhibited on the International Space Station.

ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen and ACPA PhD Supervisor Vincent Meelberg are, together with composer and Simon Fraser University Professor Barry Truax, editors of the recently published Routledge Companion to Sounding Art.

Research in and through art is an inseparable part of the artistic or design practice of the researcher. Consequently, research-in-art (as opposed to research-about-art, such as art history) does not have a set goal or expected result, nor are there predetermined general procedures. The outcome of the…

On Thursday 12 October 2017 Janneke Wesseling will give a lecture as part of the Studium Generale Programme at Eindhoven University of Technology (TU/e).

For twenty years, the Art History study programme had its own journal, the highly successful Decorum, which was written and edited by students. When the last editor left, the magazine ceased publication. Now, more than 20 years later, it’s time for a new Art History journal.

Steven Frost defended his thesis on 6 June 2017

Geometrical patterns serving as decorations do more than just that; they always have a meaning, according to art historian Arthur Crucq. Doctoral defence 17 May.

Josien de Klerk and Tennessee Miller examined the interplay between students’ illness and recovery experiences and academic work culture in this context.

How do public organizations use strategic regulatory communication in regulatory governance?

The recent rise in global migration movements and the simultaneous attempts to prevent migrations to the Global North in general and Europe in particular have produced numerous images and narratives that try to record and convey these events and their actors.

We have the pleasure of hosting organisational psychologist Fieke Harinck. Fieke is an expert on negotiation, communication skills and improvisation and co-author of the book ‘The Art of Presenting’. She shares invaluable insights and advice on how to deliver impactful presentations that captivate your…

The second and final volume of this co-authored study has just been published by J.B. Metzler. This second monograph explores the history of the concept of barbarism in the twentieth and twenty-first centuries.

This doctoral project by artist and educator Luiz Zanotello engenders a postcolonial understanding of time, space and movement by means of artistic research methods. The project examines the contradictory effects of the abyssal line of thought within the tropics as a starting point.

This doctoral trajectory explores sound, its image and its role in relating humans and our technologies to the environment.

On 1 November, Stijn Bussels assumed his role as professor of Art History, especially before 1800 at Leiden University. The chair is located at the Leiden University Centre for the Arts in Society (LUCAS).

Barbarism: from the 18th century to the present.

Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…

Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.

The subject of the research is ‘difference and repetition’, an area which bears a direct relationship to Wjm Kok’s practice, in which the production of work always emerges and passes through series.

Research on art is often compared to other forms of scientific research. Professor Henk Borgdorff believes that's unfortunate. 'Research on art is absolutely one of the front lines of science.' Inaugural lecture 10 February.

Last year, the Art History program, led by lecturers Laura Bertens and Elizabeth den Hartog, started the course The Academic Art of Publishing, in which students work on editing and publishing an academic journal: 'Panoramic. The Leiden Art Review'.

Last September Henk Borgdorff participated in the art and research funding expert meeting of funding agencies initiated by the Society for Artistic Research (SAR).

The PhD students at the Academy for Creative and Performing Arts of Leiden University include a composer, an artist and a baroque flautist. Henk Borgdorff, who studied the phenomenon of PhDs in the Arts, says, ‘Artistic research in all disciplines of the Arts is a booming business worldwide.’

On 1 November 2018, Rina Visser-Rotgans obtained her doctorate with her thesis on ‘Veranderend kunstenaarschap. De rol en betekenis van de kunstenaar in participatieve kunstpraktijken’ (Artistry evolving. The function and definition of the artist in participational practices of art). Rina’s research…

ACPA is delighted to welcome Sven at Leiden University. He is a valuable addition to the academic staff where he, in his role as Associate Professor, will supervise PhD students in the PhDArts programme.

Law researcher Evelien Campfens is calling for a better legal treatment of looted art. ‘For lawyers, ownership is a very absolute concept. There is one legal owner and that is that.’ Campfens is a PhD candidate at the Leiden-Delft-Erasmus Centre for Global Heritage and Development.

The Department of History and Art History externe link at Utrecht University is looking for a candidate for the PhD-project “The (R)evolution of Reconstruction: an analysis of digital facsimiles”. This project analyses the value of digital facsimiles for researchers, heritage institutions, and museum…

Audible Absence: Searching for the Site in Sound Production

For all the artworks that Riccardo Giacconi creates, he begins by conducting extensive research. He discovered three stories about rebellious characters that were transmitted through unofficial channels: as characters in puppet shows or in folk tales. He translated the three stories into three cycles…

Students from the Royal Academy of Art The Hague (KABK) designed the 450 lustrum logo.

Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.

Street theatre, drama, poetry and a lot of science: Leiden's Rapenburg was the backdrop for the fifth Night of Art and Knowledge on Saturday 16 September. Many University buildings - from the Observatory to the Hortus - opened their doors to artists, scientists and a public curious to know more.

‘Art and science can co-exist.’ On 16 August, Dean Suzan Stoter spoke these words when she opened the exhibition ‘Wet op beeld: De Saksenspiegel eeuwenoud modern’, created by visual artist Ilja Walraven and legal scholar Helen Stout. They believe that images can enhance the comprehensibility of legal…

From 11 to 17 September, Leiden will be all about art and science. What can the combination of these two domains do for us? And how can cooperation between them be strengthened? Several public events and a brand new symposium for specialists should answer these questions.

In January 2020, Dr Min Jung Cho and Dr Annie Trevenen-Jones of LUC The Hague applied for the LUF - SVM (Stichting Verpakking en Milieu/ Foundation for Packaging and the Environment) grant. In June 2020 they were awarded a grant amounting to the sum of €75,000.

In Humanity’s End As A New Beginning, Emeritus Professor Mineke Schipper reflects on myths about ‘the end’.

The subject of this thesis is Alverata, a twenty-first-century typeface whose design was inspired by the shapes of Romanesque capitals such as those found in inscriptions of the eleventh and twelfth centuries.

Many students dread writing a thesis. Master’s student Laura Robustella's practice-based thesis shows that it is well worth the effort. She developed an art exhibition based on her master’s thesis.

How did the Arabs manage to maintain an empire based on Islamic principles for three hundred years? Arab expert Petra Sijpesteijn and her team will be examining this question over the coming five years, focusing on the correspondence of ordinary people. The research is being funded by an ERC Consolidator…

How to keep 80 students with different backgrounds motivated for 3 hours? Stefano Cucurachi knows how! By incorporating current developments, lively discussions and even some improvisation theatre, this assistant professor managed to become Teacher of the Year 2018. ‘You have to find ways of gaining…

Children are generally not drawn to abstract art, research shows. But how exactly does abstract art affect our emotions? Through empirical research, psychologists from Leiden University are investigating at the Josef Albers Museum in Germany how this form of art can be made more relatable to the world…