Wrenching poverty, global inequality, violent political and ethnic strife, deadlocked, unresponsive or even collapsing governments, growing dissatisfaction with democracy and missed opportunities for innovation – these are merely some of the challenges of governance and development with which our programme…

This study is an attempt to reconstruct the muted violent past by breaking the monopoly of the Turkish state over the memory of the Armenian genocide.

In this latest contribution to mimetic studies, Nidesh Lawtoo joins forces with leading international theorists of the posthuman to broaden the reach of the mimetic turn beyond human imitation.

On 19 February 2019, Mirjam Sombroek-van Doorm defended her thesis 'Medisch beroepsgeheim en de zorgplicht van de arts bij kindermishandeling in de rechtsverhouding tussen arts, kind en ouders'. The doctoral research was supervised by Prof. dr. A.G. Castermans en Prof. mr. C.J.J.M. Stolker.

On 1 November, Stijn Bussels assumed his role as professor of Art History, especially before 1800 at Leiden University. The chair is located at the Leiden University Centre for the Arts in Society (LUCAS).

The ARTIVES project studies imaginaries of diversity portrayed by artists in Lisbon and Rotterdam in their films, performances and (oral) literature with the aim to explore their transgressive potential of opening up possibilities of thinking differently about migration-related diversity. Their stories…

Staging the Archive: Art and Photography in the Age of New Media is dedicated to art practices that mobilize the model of the archive, demonstrating the ways in which such archival artworks probe the possibilities of what art is and what it can do.

'The Routledge Handbook of Civil and Uncivil Society in Southeast Asia' explores the nature and implications of civil society across the region, engaging systematically with both theoretical approaches and empirical nuance for a systematic, comparative, and informative approach.

On 1 January Minna Valjakka was appointed Professor of Contemporary Art History and Theory from a Global Perspective. Valjakka sees her appointment as 'extremely topical' because of the discussions about the decolonisation of the arts: 'Art teaches us not just about art, but also about contemporary…

ACPA Professor of Auditory Culture and Music Philosophy Marcel Cobussen and ACPA PhD Supervisor Vincent Meelberg are, together with composer and Simon Fraser University Professor Barry Truax, editors of the recently published Routledge Companion to Sounding Art.

From 11 to 17 September, Leiden will be all about art and science. What can the combination of these two domains do for us? And how can cooperation between them be strengthened? Several public events and a brand new symposium for specialists should answer these questions.

PhD defence

How can we view societal challenges from a different perspective? At the EuroScience Open Forum (ESOF), Robert Zwijnenberg, Emeritus Professor of Art and Science Interactions, will call for more collaboration between artists and scientists.

Research in and through art is an inseparable part of the artistic or design practice of the researcher. Consequently, research-in-art (as opposed to research-about-art, such as art history) does not have a set goal or expected result, nor are there predetermined general procedures. The outcome of the…

The recent rise in global migration movements and the simultaneous attempts to prevent migrations to the Global North in general and Europe in particular have produced numerous images and narratives that try to record and convey these events and their actors.

Many students dread writing a thesis. Master’s student Laura Robustella's practice-based thesis shows that it is well worth the effort. She developed an art exhibition based on her master’s thesis.

Children are generally not drawn to abstract art, research shows. But how exactly does abstract art affect our emotions? Through empirical research, psychologists from Leiden University are investigating at the Josef Albers Museum in Germany how this form of art can be made more relatable to the world…

This doctoral trajectory explores sound, its image and its role in relating humans and our technologies to the environment.

Where in the model of contemporary art, which can be described as a hybrid and joint undertaking between artists, institutions, curators, theory and discursivity, is the actual 'object' of art located and generated? Where and by whom and in what configuration of positions is it produced? Who or what…

The second and final volume of this co-authored study has just been published by J.B. Metzler. This second monograph explores the history of the concept of barbarism in the twentieth and twenty-first centuries.

Steven Frost defended his thesis on 6 June 2017

This doctoral project by artist and educator Luiz Zanotello engenders a postcolonial understanding of time, space and movement by means of artistic research methods. The project examines the contradictory effects of the abyssal line of thought within the tropics as a starting point.

Does the δ-machine have higher accuracy than the other feature-based classifiers in some conditions?

Bruno Munari (1907–1998) was a prolific and influential artist, designer, and writer. Alessandro Colizzi’s study is the first extensive, detailed record of Munari’s graphic design production, and as such provides a substantial base for a full understanding of his oeuvre.

Two statues of gorillas abducting women: they were what led PhD candidate Dick van Broekhuizen to write a new type of history of nineteenth-century sculpture. ‘If you view nineteenth-century art history from a less narrow perspective, the narrative changes completely.’ PhD ceremony on 21 June.

Barbarism: from the 18th century to the present.

The subject of the research is ‘difference and repetition’, an area which bears a direct relationship to Wjm Kok’s practice, in which the production of work always emerges and passes through series.

A new outreach initiative for the communication of artistic research!

In his Inaugural lecture of February 10th Prof. dr. Henk Borgdorff advocated positive understanding of artistic research, of reasoning in and through art, within academia.

On the initiative of Leiden Law School’s Art Committee, the festive opening of the photo exhibition of the Leiden Amateur Photographic Society (LAFV) took place on Friday 20 May 2022 in the C corridor of the Kamerlingh Onnes Building.

On 16 May 2023, Jan Aart Scholte presented research on the Regional Internet Registries to the annual conference of GIG-ARTS in Padua.

We have the pleasure of hosting organisational psychologist Fieke Harinck. Fieke is an expert on negotiation, communication skills and improvisation and co-author of the book ‘The Art of Presenting’. She shares invaluable insights and advice on how to deliver impactful presentations that captivate your…

On Thursday 12 October 2017 Janneke Wesseling will give a lecture as part of the Studium Generale Programme at Eindhoven University of Technology (TU/e).

For twenty years, the Art History study programme had its own journal, the highly successful Decorum, which was written and edited by students. When the last editor left, the magazine ceased publication. Now, more than 20 years later, it’s time for a new Art History journal.

Students who also want to develop their artistic talents can take a year-long art class – Practicum Artium – at the Royal Academy of Art in The Hague. ‘I can express my creativity and am learning to approach subjects in a visual way.’

A successful series of lectures on interior design, a symposium on four-poster beds and a new series of study afternoons on the horizon. University lecturer Alexander Dencher knows how to hold the attention of a growing audience. How does he do it? And what makes the history of interior design so fa…

Come to the Night of Arts and Science in Leiden 's historic city centre on 17 September. You can enjoy music, interactive experiments, theatrical plays, lectures, modern dance, comedy and much, much more. Many of the activities are in English.

In Humanity’s End As A New Beginning, Emeritus Professor Mineke Schipper reflects on myths about ‘the end’.

Geometrical patterns serving as decorations do more than just that; they always have a meaning, according to art historian Arthur Crucq. Doctoral defence 17 May.

This research will investigate which aspects of On the sublime received attention in the intellectual milieu of the seventeenth century and how the sublime found its way in the political and artistic discourse of that time. Thus I aim to shed light on the role of art in politics and society in this…

This project investigates the transposition of natural historical material, knowledge and vision, between different media (collection, scientific drawing, academic texts, the visual arts and/or literature) – a transmission that happens in the borderline between the traditional, emblematic worldview…

The subject of this thesis is Alverata, a twenty-first-century typeface whose design was inspired by the shapes of Romanesque capitals such as those found in inscriptions of the eleventh and twelfth centuries.

On the 22nd of April, Liszt Vianna Neto successfully defended a doctoral thesis and graduated. The Leiden University Centre for Linguistics congratulates Liszt Vianna Neto on this achievement.

This dissertation deals with Hegel’s theory of the sublime (das Erhabene). I focus specifically on die heilige Poesie (sacred poetry), a form of art that he identifies with the Judaic Psalms and which I claim to be the core of Hegel’s approach to sublimity. I claim that Hegel’s apparent lack of interest…