The research focuses on the understanding of symbolic stratigraphy of the land (through time) from the worldview of the People of the Rain (one of the Indigenous Peoples of southern Mexico), by studying contemporary cultural heritage in communities of the Mixtec Highlands.

This thesis investigated how microphones and loudspeakers could become musical instruments.

Recently, Dr Gül Aktürk Hauser took up the position as Assistant Professor at the department of Heritage and Society. Originally an architect, she got caught up in the study of historical vernacular buildings in northeastern Turkey. Now her focus lies on the impact of climate change on cultural heri…

Miriam Cohen defended her PhD dissertation entitled “Reparations for International Crimes and the development of a Civil Dimension of International Criminal Justice” on 28 June 2017. She wrote her thesis under the supervision of Professor L.J. van den Herik and Professor C. Stahn.

Frans Preumayr's nineteenth century virtuosic bassoon repertoire - An approach with a fine Grenser & Wiesner bassoon from Dresden: Issues of material and technique

This thesis proposes multiple paths towards the development of a performance practice in Computer Music.

In September, the eighth issue of the Journal of Sonic Studies will be online, dealing with sounds and/from outer space.

In this policy brief, Dennis Broeders, Els De Busser and Patryk Pawlak discuss attribution of in cyberspace from three different perspectives: criminal law, international law and policy. Published together with EU Cyber Direct.

Doctoral research on the history of the critical visitor and their efforts at founding alternative archives including LGBT+-focused, feminist, disability and digitizing projects, resulting in a traveling exhibition on findings (with audio-guides), popular and scholarly article, and a dissertation.

International organisations face the challenge of balancing conflicting norms. For instance the norms governing traditional UN peacekeeping missions and the the norm of international criminal accountability. Political scientists Tom Buitelaar (Leiden University) and Gisela Hirschmann (Leiden University)…

The archaeological heritage of South America is facing increasing threats due to the expansion of agricultural activities, infrastructure expansion, illegal wood harvesting, and the current fire emergency plaguing the Amazon and other biomes of the continent.

The project ‘Founding an Inclusive Space’ investigates the histories of various LGBT+ archives in the Netherlands, Germany and the United Kingdom.

On 18 September 2019, Huw Llewellyn defended his thesis 'An Institutional Perspective on the United Nations Criminal Tribunals: Governance, Independence and Impartiality'. The doctoral research was supervised by Prof. N.M. Blokker and Prof. L.J. van den Herik.

What is the role of local Caribbean individuals and communities in creating and perpetuating archaeological heritage? How has archaeological knowledge been integrated into education plans in different countries?

Anna Scott is a Canadian pianist-researcher interested in using the early twentieth century recordings of the Brahms circle of pianists to question persistent gaps between the loci of knowledge, ethics, and act in both modern mainstream and historically-informed performances of Brahms’s late piano w…

In our culture, vocal harmonics function as independent musical elements since only a few decades. Thresholds of the audible explores the changing relationship between singers, listeners and harmonics.

This dissertation explores various perspectives on the term immersion, and its relation with, and transformation through, a composer’s practice.

This thesis examined two previously neglected topics, Baroque Italian recorders and the Neapolitan Baroque repertoire for the recorder, and then combined both aspects.

The oil pipeline in Dakota, the widening of the motorway near Stonehenge, the construction of dams in Turkey and Iraq: newspapers and social media are full of alarming articles about threats to heritage as a result of large-scale construction work. Heritage experts at Leiden University have developed…

Subproject of the NWO Smart Culture Grant research project 'The Critical Visitor'.

Doctoral research on recent developments in museological practices by “critical” curators, interventionist artists, and personnel initiatives, focusing on ‘queering’ as an entrance point to broader intersectional issues; resulting in a report on the ‘Queer Baseline’ (to be launched in 2020), a popular…

Memory, Imagination, and Mimetics in Contemporary Composition and Historical Performance

Attitudes towards cultural heritage have long been characterised by an ‘endangerment sensibility’ concerned with preventing losses. Recently, however, critical heritage scholars have argued that loss can be generative, facilitating the formation of new values and attachments. Their arguments have focused…

The past, present, and future for local people and archaeologists in Sudanese Nubia

The Heritage Sector at a Crossroads: The way of Intersectionality. This project investigates how heritage institutions can achieve inclusion and accessibility within their organization, collection, and exhibition spaces that meets the breadth of demands placed by today’s “critical visitors.” Fifteen…

Subproject of the NWO Smart Culture Grant research project 'The Critical Visitor'.

Museum Studies looks at museum practices from archaeological, historical and anthropological perspectives.

The master’s programme in Museum Studies at Leiden University is uniquely positioned at the intersection of Art History and Museum Studies. Informed by leading interdisciplinary research, this degree provides you with a strong academic foundation for a variety of careers in museums, galleries and heritage…

This research project analyses the use of different, often competing, stereotypical images of Rome in Humanist Latin Poetry, by considering it as strategic appropriation of the classical heritage.

This book is witness to Hendrik Vanden Abeele’s research into the development, construction and creation of a present-day performance practice of late medieval plainchant, based partly on his work with the Belgian chant group Psallentes.